ATRABILIOUS TEMPERAMENT

“Ours is the century of enforced travel of disappearances. The century of people helplessly seeing others, who were close to them, disappear over the horizon.”  - Berger

I’ve recently returned from a brief trip to southern Missouri. I took a leave of absence from my deadlines to spend time with my oldest and closest friend, Ryan. Ryan and I spent the majority of my visit trading shots of whiskey and rum while bemoaning politics, religion, and midwest culture. We sat alone in his dimly lit apartment and reflected on bittersweet memories and when we were drunk enough, we’d muster the courage to gaze into our immediate future. We’ve mostly hardened, and we mostly hurt on behalf of each other. I lament his loneliness and he laments my guilt. In the dark we laughed and sang and smoked and cursed.

Ryan observed that I surround myself with young people forced to be old by tragedy, illness, or intelligence. I observed that he surrounds himself with no one at all. We drank some more. We sat on the balcony of his flat and hummed to ourselves. A soft breeze carried the stench of cigarettes and the sound of laughter as we sat talking. Our every passing word served to remind us of our fading youth, long gone, smothered by sorrow, loneliness, and love gone away.

I’m writing about all of this because tomorrow is my twenty-sixth birthday and I’m starting to feel as though my age is catching up to my temperament. I consider my age and I suddenly feel as though the dreams of my youth, and the hopes of recovering what was lost in my youthful ignorance are lost to the innumerable decisions made over the course of the past six years. My gut tells me that this is common in aging. I think Ryan and I have a tendency to feel alone in our remorse, but the more I study the writings of lost authors while reflecting on their sad endings – the more comforted I feel in that community of confused thinkers. Most days I feel as though the isolation that accompanies a capacity for great intellect is a paradox of sorts. Freethinkers are both isolated by this capacity, but also united in their isolation and the various neuroses that accompany it. We are together in that we think, write, and create.

There is something holy about Ryan and I sitting together. We are beset with our own existence, with our past, with the insoluble nature of present circumstances, and with the ultimate tragic nature of life. Neither of us can find a way out and the most we can do is nod to one another as we shrug and laugh. Twenty-six years on this rock has taught me one thing for sure: you can only trust human beings who are honest enough to admit they don’t know. Anyone who claims to know has been sold a product and they’re likely trying to include you in the pyramid scheme. It’s true that too much introspection might be deadly, and I’ve often felt the nausea that accompanies honest reflection. Honest introspection is the surest way to arrive at an honest conclusion – not knowing.

Tabula Rasa Excerpt

I’m posting a brief excerpt from my upcoming novella. Tabula Rasa is part of the split paperback pulp feature that I’m releasing with Anthony Mathenia. Anthony and I have both recently published literary novels through traditional publishers and we were keen to work together between our major projects. So we settled on the pulp novella split project and decided to publish the stories through Red Forest. For my part, I wanted to write the kind of pop stories that have always thrilled me throughout the years. So, Tabula Rasa is my love letter to my favorite pop influences – such as Buffy the Vampire Slayer, 28 Days Later, and Y: The Last Man.

You can order a copy of the Tabula Rasa/Deep Penitentiary 6 split  paperback over at the Kickstarter page. Please take a look at the kickstarter and pledge!

 

tabula_web 

*********

Finding transportation is proving more difficult than I imagined. Most of the vehicles are inoperable or without keys. I find a holstered gun and ammunition in an open glove compartment, but I despise guns, and bullets aren’t much use against the undead, so I leave the weapon behind and move on. I’m gagging as I finally find a car with keys in the ignition.

Someone’s been torn apart, and his or her entrails and limbs are strewn about the interior. I breathe deeply and cover my mouth with my collar. I go to work and clear out the vehicle. I vomit several times before hitting the road. I head north on I-29. My worst fears are confirmed when I see that the incident wasn’t contained, but that it has in fact spread beyond the facility. It looks like the world has gone to war.

Tractor-trailers are burned and sprawled across the landscape, and the interstate is nearly impossible to navigate. I see scorch marks from dusted vamps periodically. But the human casualties seem to outweigh the vamp casualties, and as much as I feign numbness, the death still saddens me.

The further I get from the facility, the smoother the road becomes. The problem is that I’m moving at such a slow pace that I’m bound to be open and exposed when nightfall inevitably arrives. I need to find shelter, and I need to properly arm myself before it’s too late.

There’s a familiar exit in a few miles. I pull into the rest stop and park. It’s vacant, eerily reminiscent of my countless excursions into coven territory. The restrooms and information lobby appear vacant, so I grab my pack and tread forward uneasily. The main lobby is empty, but it would make a piss poor shelter. It’s open and surrounded by glass windows and doors. I need to hole up in one of the restrooms for the night. I can only hope that no vamps come poking around. There’s only one entrance, and I could get trapped in a hurry. The upside is that there are no windows, and the door locks from the inside. Nothing should draw attention to me while I rest. It’s nearly dark when I approach the restroom door. I grip my weapon and move slowly, then kick the door and check my corners.

I’m alone.

The bathroom stall walls have collapsed on one another like dominos. Scarlet blood is streaked over the cracked mirrors. There are tattered bits of army surplus cloth and shattered glass scattered across the tile. I sift through it and gather a few shards big enough to penetrate vamp flesh. Eventually I lie on my back in the shadows. I’ve become accustomed to resting in shadow. In my line of work, the shadows have become a kind of ally.

I slurp down one of my sustenance kits and drink from the faucet. I’d like to have a fire for warmth, but the undead can feel the warmth and smell the smoke. I just lie with my head on my pack, rubbing my arms for warmth. The cold isn’t enough to cause concern. It’s uncomfortable, but I’ve had worse. I find my old battered copy of Swann’s Way in my pack and read from it to pass time. I think of Alexis before I drift to sleep. I imagine her waxen-like skin, and I wonder if I’ll feel it against me again. A resounding “no” echoes from a small, dark corner of my mind. I ignore it, focus on stray hopes, and fade into sleep.

TABULA RASA AND DEEP PENITENTIARY 6 KICKSTARTER

Anthony Mathenia and I have launched a kickstarter campaign to help fund the printing of our new split paperback. You can pledge different amounts for different incentives, each incentive is on a separate tier. You can simply pledge for a copy of the book, or you can pledge for any other incentive that catches your eye. Please pledge and support us. We are putting the book out through our own label, Red Forest.

The link to the kickstarter campaign is below. Thanks a bunch!

http://www.kickstarter.com/projects/1517309735/tabula-rasa-deep-penitentiary-6