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The Myth of Sisyphus

So many people try to lump Forest Life into a kind of literary Christian subgenre. I am sympathetic to this misunderstanding as the concept of  love is a central theme within the story. I would like to recommend that those of you who have taken the time to think critically about the narrative within Forest Life go a step further to pick up The Myth of Sisyphus by Albert Camus. Arguably the core conflict in Forest Life is that of Emmett’s long struggle and his seeming inability to come to grips with absurdism. Lenai’s death strips him of his final romanticisms about life and death. It strips him of his distractions and forces him into a despair under the weight of which many great minds have succumbed.

I think a thorough reading of The Rebel or The Myth of Sisyphus will be rather illuminating for those of you who have enjoyed reading Forest Life.

NON OMNIS MORIAR

On occasion I’ll stumble into the shower and sit beneath the faucet with my eyes shut tightly. I’ll focus on the sound and feeling of droplets on my skin, and I’ll imagine various rainy days, dragged back to foggy recollection by the sensation of falling rain. Warm rain stirs up the smell of lavender and brief flashes of a minted blouse waving in the wind. I usually drift off to Langtree Estates, but on occasion I’ll return to the field in Cetaw where I ran like a child with Morgan behind me, afraid of snakes and mad with youth. It seems to me that it rained more in those days, or perhaps I only really notice the rain when I’m happy. I do love the rain.

At night I sit behind my small desk, the room dimly lit by a tall lamp beside my quiet-riter. I’ll turn on my familiar songs, the acoustic piano keys accompanied with a single violin. Sometimes I think about some God towering over humanity, watching the same film over and over, laughing as the damned ants make the same mistakes again and again. Some of my friends try to convince me to believe in their great mighty deity, and I concede that God may be great indeed to have created booze for us ants in his merciful foresight. That’s just the bourbon talking.

Before working on my manuscripts, I’ll burn through McCarthy and Hemingway, and I’ll close my eyes and breathe quietly to soak up the really good prose, in order to remind myself that I’m still a baby boy. I drink my American Honey straight from the bottle when it’s cold. It burns after a few moments, and I’ll cough gently so I don’t wake Aryn in the next room. I’ll smile before I begin typing because I know that the person I really am comes out when it’s time to sit down and hammer away on a keyboard. “There you are,” I’ll mumble, as I scribble down notes in my pocketbook, working out timelines and intentions. It’s the quiet scribbles of pen on parchment, and the soft tapping of keys that sound out so holy, and I often forget that I’m so cynical and sick inside.

I’m finishing up my work on Tabula Rasa, so my attention is turning to my next literary novel, which is a story about a terminal time traveler.

Forest Life Signing at Heroic Adventures in Edwardsville, Illinois

I’m taking a brief break from working on the Tabula Rasa manuscript to post about my upcoming signing at Heroic Adventures. The signing begins at noon and ends at three. The address for Heroic Adventures is 10005/1007 Century Drive, Edwardsville, Illinois. I will have copies of Forest Life for sale, as well as prints featuring my preferred Forest Life cover art. Additionally, I’ll have prints featuring my wonderful Tabula Rasa cover art. Anthony has informed me that milk and cookies will be provided. Frankly, I have no idea what he’s talking about, but he claims to have one hundred cartons of milk, you know, the tiny ones that we were served in elementary school. I look forward to seeing some of you there. Cheers!